
#PERU MYPUBLISHER CODE#
The Austrian BLZ number, used to clear funds and/or route payments in Austria, consists of five digits.Īzerbaijan bank branch code or AZIPS code, used to clear funds and/or route payments in Azerbaijan, consists of six digits. The Australian BSB number, used to clear funds and/or route check payments in Australia, consists of six digits. The Armenian Bank Code, used to clear funds and/or route payments in Armenia, consists of five digits. The Código de Entidad: The Argentine Bank Code is used to clear funds and/or route payments in Argentina. The Código de Entidad / Código de Plaza, used to clear funds and/or route payments in Argentina, consists of seven digits. The Andorran bank code, used to clear funds and/or route payments in Andorra, consists of eight digits.Īngola Bank Branch code, used to clear funds and/or route payments in Angola, consists of 4 digits for bank code or 8 digits for bank branch code. The KIB is used to clear funds and/or route payments in Albania. The Bank/Branch codes used to clear funds and/or route payments in Afghanistan consist of 4 digits.

The list of bank codes nature is explained below. These bank codes are used for wire transfer of funds between branches in the country or transfer of funds between different countries. In some countries, the bank codes can be viewed over the internet. Also, the name and nature of bank codes vary. The rules vary to a great extent between the countries. You can find Ann at:, and restlessnest.A bank code is a code assigned by a central bank of the country, a bank supervisory body or a Bankers Association in a country to all its licensed member banks or financial institutions.

She has an MFA from Goddard College and a BA from Wellesley College. Their latest, set in Peru, is now in production. Ann’s writing has also appeared in Seattle Metropolitan Magazine, the Pitkin Review, Minerva Rising, The Seattle Times and other publications. April 30, 7pm: Her Beautiful Brain reading, The Regulator Bookshop, Durham, North CarolinaĪnn Hedreen is an author ( Her Beautiful Brain ), filmmaker, teacher and voice of the radio podcast and blog, The Restless Nest. Together, she and her husband Rustin Thompson have made more than 100 films, including Quick Brown Fox: an Alzheimer’s Story and several other full-length documentaries.James Cathedral Pastoral Outreach Center, 907 Columbia Street. April 1, 7pm: Her Beautiful Brain reading and discussion, St.We practice on each other, and then we take our words out into the world. But we are also ambassadors for writing, and that’s what salons are about: it’s the diplomatic part of our MFA training. And one of those Fall un-book-tour stops has turned into an invitation to read in Salida, Colorado in September. Lo and behold, they did!) I’m scouting around for an opportunity in New York in May. James Cathedral Parish Hall in Seattle (thanks to a connection made through Goddard alumna Jan Vallone) and April 30 at the Regulator Bookshop in Durham, North Carolina (a connection I initiated through a program for Alzheimer’s caregivers at Duke University that I thought might take an interest in my book. …And since then, the un-tour continues in its slowly unfolding, DIY manner. Here’s what I wrote about it recently for my publisher, She Writes Press. These were all skills I put to use when my memoir, Her Beautiful Brain, (which was also my Goddard thesis) was published in Fall 2014 and I began what I like to call the un-Book tour.
#PERU MYPUBLISHER HOW TO#
How to introduce myself and my work with a mixture of confidence and self-deprecating humor.

The salons also taught me how to listen and respond. How much their voice, their words, mattered.Īnd that is what the Goddard salons taught me: what it feels like to have people respond, first-hand, to the words you’ve written: as if your voice matters, because it does. I remember that night, 30 or more people crowded into our living room, when I realized that my most important task was to make sure that the readers, especially the brand-new G-1s, could see in my eyes how hard I was listening. But they were also exhilarating: both as a reader and a listener and then, in my third residency, as an emcee. The student-generated evening salons, a tradition at the Port Townsend, WA residencies, were indeed scary. Toklas? I felt a little frisson, a cocktail of thrill mixed with dread. I remember poring over my first Goddard MFA residency schedule and the way my eyes skidded to a stop at the word “salon.” We would have such things as salons? À la Gertrude Stein and Alice B.
